CMAT has always been a storyteller who thrives on contradiction—mixing humor with heartbreak, camp with catharsis. With her third album Euro-Country, she sharpens those instincts into her most fully realized project yet. The Irish singer-songwriter brings her personality to every note, crafting a record that is as satirical as it is sincere.
From the opening moments, Euro-Country declares itself as a work of character and voice. Tracks like “Lord, Let That Tesla Crash” and “Running/Planning” flirt with absurdity on the surface, yet beneath the playful titles lies a deep engagement with grief, disillusionment, and the weight of cultural memory in post-Celtic Tiger Ireland. CMAT thrives on that balance, building songs that can make you laugh while slipping in lines that sting long after the chorus fades.
Her knack for commentary also extends to modern fame and body politics. The viral single “Take a Sexy Picture of Me” has already made the rounds on TikTok, but within the album it stands as something more significant—a statement of defiance in the face of online scrutiny. It is campy, catchy, and utterly unapologetic, much like CMAT herself.
Critics have embraced Euro-Country with enthusiasm, praising both its wit and its emotional gravity. Pitchfork called it “a lonely album with a whopping heart,” while The Guardian underscored CMAT’s singularity as an artist who refuses to blend into the pop landscape. Those assessments ring true when listening through the album in full; it is rare to find a record that feels so personal while still daring to stretch into the theatrical.
Her career momentum reflects that impact. Following sold-out tours across the UK and Ireland, CMAT is preparing for her largest shows yet, including a stadium date in Cork and a headline slot at Dublin’s St. Anne’s Park in 2026. If Euro-Country proves anything, it is that CMAT has outgrown the viral moment and established herself as a vital, enduring voice in contemporary pop.