Black Country, New Road‘s latest album, Forever Howlong, is a good example of a prog-folk and baroque pop combination. Following their critically successful Ants From Up There and live album Live at Bush Hall, this album illustrates a significant artistic shift.
Produced by James Ford, Forever Howlong marks the arrival of a new collaborative spirit within Black Country, New Road. With Tyler Hyde, Georgia Ellery, and May Kershaw taking on vocal and songwriting duties, the record offers a new perspective shaped by three voices. This change from their earlier work, which was defined by the emotional lyricism of Isaac Wood, proves the band’s toughness and creative adaptability.
The album’s sound is a tapestry of influences: prog-rock, baroque pop, alt-rock, and folk—coupled with meticulous arrangements. Tracks like “Salem Sisters” and “Mary” evoke Joanna Newsom and Fiona Apple, pairing knotty melodies with navel-gazing lyrics. Tracks like “Besties” and “Happy Birthday” show the band’s knack for coupling whimsy with emotional ferocity.
The title track, “Forever Howlong,” is the album’s centrepiece. The epic song encapsulates Black Country, New Road‘s new direction. Its multilayered instrumentation and wailing vocal harmonies create a track that engulfs the listener. “Nancy Tries to Take the Night” also combines mournful piano lines with soaring strings.
Each song feels like a chapter in a larger narrative. The meshing of acoustic instruments with experimental timbres provides the sense of intimacy while maintaining an adventurous spirit. This feeling of dualism is something that can be sensed in “Two Horses,” as understated guitar work is contrasted with bursts of dramatic orchestration.