ADÉLA is back with her latest track, “Machine Girl,” and it’s an electrifying commentary on the spectacle of female conflict, empowerment, and the undercurrent of toxic competition that still runs through many women-centered narratives in pop culture. Co-produced by the enigmatic Grimes, along with Liam Benayon, Slush Puppy, and Dylan Harrison, the track fuses high-voltage synths, vocoder harmonies, and biting taunts, capturing the raw energy of a woman reclaiming her power in a world that often pits women against each other.
“Machine Girl” isn’t just a song; it’s a reflection of ADÉLA’s journey and her complex relationship with the pressures that women face. As she sings, “Why you comin’ at me, baby? / Yell at the machine, girl,” she invites listeners into her defiance—a rebellion against the spectacle of women tearing each other down for the amusement of society. The track builds on ADÉLA’s past experience with the harsh, often dehumanizing standards of both the music and dance industries.
The song’s accompanying video, directed by Mitch deQuilettes (known for his work with Daya and TOKiMONSTA), takes this theme further, with a fierce, almost gladiatorial dance battle between ADÉLA and actress Sofia Wylie. The tension between the two dancers escalates as they engage in a grueling, intense choreography, further amplifying the track’s message. Grimes, who co-produced the song, also makes an appearance, reinforcing the connection between ADÉLA’s personal journey and the wider themes of female empowerment.
Born in Slovakia and raised in a world that didn’t understand her ambition, ADÉLA’s road to pop stardom has been anything but conventional. After being rejected from a global girl group competition, she rediscovered herself through music, and her identity became sharper and more authentic. With “Machine Girl,” ADÉLA continues to cement her place as a force to be reckoned with—unapologetically herself and unafraid to tackle the uncomfortable truths of the world she inhabits.